Writer

Category: Nature

JUNE, A MONTH OF GLOOM AND BLOOM

I’ve been mentioning flowers in almost every blog this year, not just in the Windows section but in the opening paragraphs. Bits of color holding my attention, lightening my mood, and lifting my energy. June is no different—purple and white lupine, wild daisies, yellow buttercup. June has been alternating between sunny summery weather and dark gray rainy days. Tee shirt or shirt, fleece, and vest. Flip flops or wool socks and boots. But this is not a surprise; this is the nature of June in the Pacific Northwest.

Last month I wrote about a health issue, AFib, which took me by surprise. After having a sleep study confirm I have a moderate case of sleep apnea, the beginning of this month I started using a CPAP machine, and for the last seventeen days I’ve had no episodes of AFib. Seems a bit too easy. Well it’s not that easy—I’m still getting used to wearing the lovely nasal mask which can disrupt my sleep while also helping me sleep better. The no-AFib episodes is a big motivator to keep at it.

Work: Among writers, Vivian Gornick’s The Situation and The Story is a well-known craft book. In my Armenian family book, the situation is clear: my Armenian grandmother and her two sisters survived the Armenian Genocide and rarely spoke of it. Why were they not marched into the desert with the rest of the Armenians in their village? How did they live during the remainder of the genocide, during the aftermath of WWI, and establishment of the Republic of Turkey?

The story makes meaning of the situation. Right now the story in my manuscript is in a bit of a muddle. Is it my relationship with my grandmother? My need to know, wrapped up in my own identity? The role silence has played in my life? Why the past matters? Does the past matter? A few of these or something else entirely? I have to remind myself to trust the process, to keep writing because that’s how story makes itself known. Time and time again I’ve huddled over my keyboard in the gloom and kept writing and sure enough the clouds parted, the sun shone, even if only for an afternoon, even if only for a glimmer of the story to shine through. Collect enough glimmers and you have yourself a day full of sunshine, a book full of story. (h/t Pam Houston for the concept of glimmers)

Wonder: If only I had more time to write, all writers everywhere have moaned. While time is essential, in and of itself time is not enough. Late in my writing life, I’ve discovered the wonder and the revelation of the following truth, and a greater understanding of my struggles to write.

“Writing is not a matter of time, but a matter of space. If you don’t keep space in your head for writing, you won’t write even if you have the time.” – Katerina Stoykova-Klemer (h/t Dinty W Moore)

Does this resonate with you? How can we keep space in our heads for our creative work?

Windows: June has now brought what we’ve been longing to see: fawns. We have a single and one set of twins, as best we can tell. The fawns are more skittish than curious right now. That will change. But I did manage to get a few pictures.

 

 

 

 

 

 

 

 

MAY, A MONTH OF FLOWERS

April’s bounty, and showers, continue with this month’s collection of blossoms: pink columbine, purple rhododendron, red salvia, sweet woodruff, and the sweet perfume of lilacs and lilies of the valley . . . to name a few.

This month also marks a year since I began blogging again. Writing can be a lonely occupation, so thank you for following along with my writing journey, responding to my assorted wonderings, and gazing out my windows with me at the beauty that resides there. Your comments, suggestions, and questions have made me feel in community with each one of you. I look forward to continuing these conversations. (If you don’t already, please consider subscribing to my blog. Thanks!)

In addition, it’s been a year of tending to my health, including physical therapy and mental health therapy, and discovering I have a heart condition, atrial fibrillation, commonly referred to as AFib. Remember how tired I was in December? Part of being tired was three months of heart problems that I kept attributing to other things: anxiety, panic attacks, sleep deprivation, and dehydration. I have a cardiologist now, and medication, and some ongoing issues we’re still figuring out.

How am I feeling about my AFib? Disappointed. Frustrated. A little incredulous. I have a fairly sanguine attitude about aging. Gray hair—no problem. Some wrinkles—of course. A few aches and pains, and a bit less energy—better than the alternative. But heart problems? At fifty-nine? I was entirely unprepared for this. So, incredulous, frustrated, disappointed.

And in the grand writerly tradition that everything is material, two days after my diagnosis I wrote a micro essay about my AFib. I read that essay to close writer friends as a way to share my news while also sharing a piece of work. A piece of work I received feedback on, revised, and submitted to literary journals. Because that’s what writers do—keep writing.

Work: This blog has been a monthly part of my writerly work and as each one takes up two to four days of writing time and energy, I’m in awe of those writers who blog weekly while keeping up with their ongoing writing projects. For me, having the three sections helps focus and narrow the choices of what to write. Some months I have too much to say and jot notes for future blogs. It is rewarding to open a document for say, May, and find some ideas already there, even if they get pushed to another month or don’t get used at all. I’ve also given myself the deadline of posting on the last Wednesday of every month, which also helps keep me on track.

I’m fortunate to have a writer friend who gives me feedback on my blogs and her advice has been invaluable in helping me improve each one. Her questions push me to go deeper, to consider cohesion and threads, and to not take the easy way out. For example, the first draft of this blog didn’t have the last two paragraphs in the section above about my AFib. After the paragraph ending in “still figuring out,” I had “I’m mostly okay.” See the difference there? The facts of the matter and a quick I’m fine, let’s not talk about this anymore. Instead of the more satisfying, I hope, facts of the matter and how I feel about it, and what I did with those feelings.

 Wonder: Wondering where I’m at with my Armenian family manuscript? I’m wondering what counts as a draft of a book-length work. Writing and revising straight through from page one to The End? What about revising and re-ordering before reaching the end? Depending on the definition, I am on draft two or draft one-hundred-fifty-seven. That is because I compulsively Save As, creating a new draft of whatever piece I’m working on before I make any but the smallest of changes. What am I afraid of? Losing hard sought for words, labored over sentence constructions, threaded together paragraphs? I have rarely gone back to an earlier draft, and yet I can’t stop myself from creating an archive of drafts.

How do you track your drafts? Are you concerned about “losing” earlier versions?

Windows: The blooms of May.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

APRIL, A MONTH WITH TWO ANNIVERSARIES

April showers bring May flowers, so the saying goes. In other words, endure April for the reward of May. Yet April offers its own bounty: cherry blossoms, swaths of tulips, and the unfurling of maple leaves, to name a few. April also brings those showers, tree pollen, and temperatures often more like winter than spring. April is an energetic month.

Work: I’m drawn to quotes that reframe the challenges of writing and alter my mindset in an expansive and helpful way. For example, here is a recent newsletter quote from James Clear, author of Atomic Habits:

“If you feel resistance before you begin, it’s usually procrastination and you need to get started.

If you feel resistance after you begin, it’s usually feedback and you need to make adjustments.”

These days I do sit down and get started, because I’m eager to write this book about my Armenian family, to watch the shape emerge, morph, fall flat, and rise again. But it’s taken me a while to implement the second part of the quote. I’ll stare at paragraphs that aren’t working, as if time alone will somehow solve the problem. I’ll make line level edits as if tiny alterations can fix larger issues. (Sometimes they can.) But now I’ve realized a larger adjustment is often what is needed.

Sometimes that adjustment is relocation: the scene or section belongs somewhere else in the book. I move it out of the way and the narrative flows again. Sometimes that adjustment is reordering within a section—printing out and cutting that section into paragraphs can help with the reordering. Sometimes that adjustment is a scene compressed into summary or a summary expanded into a scene. Sometimes that adjustment is acknowledging that this particular material doesn’t belong in the book at all.

If you want to understand, and gain strategies to overcome, the role of resistance in your life, I recommend Steven Pressfield’s The War of Art, a book from which I could pull dozens of expansive and helpful quotes. A book that belongs in every creative person’s library. And we are all creative people.

Do you have a favorite quote that inspires you or reframes an idea or experience?

Wonder: April 24th is Armenian Genocide Remembrance Day and also my parents’ wedding anniversary. I wonder at their concurrency.

On April 24, 1915, Ottoman authorities arrested 250 Armenian intellectuals and thus began the genocide of 1.5 million Armenians, a genocide that also took the lives of Assyrians, Greeks, and Jews. It wasn’t until 1988 that Armenia, then a republic of the Soviet Union, designated April 24 as a public day of commemoration. The California State Assembly, in 1997, declared April 24 as a Day of Remembrance for the Armenian Genocide of 1915-1923.

On April 24, 1964, my parents married, picking that date because it fell on a Friday. They married in Las Vegas surrounded by family and friends, and returned to work on Monday.

Really there’s not much here to wonder about. These two anniversaries share a day because coincidences happen. I hadn’t made the connection until recently because the Armenian Genocide wasn’t talked about in my family. We didn’t commemorate the tragic event that my paternal grandmother and her two sisters survived.

This April, my sisters and I, and our families, gathered at my parents’ home to celebrate their 60thwedding anniversary, to celebrate love and family. My parents are together, still here, and Armenians are still here, despite the genocide set in motion on April 24th.

 

Windows: Two trees in bloom: cherry and dogwood.

FEBRUARY, A MONTH OF HARBINGERS

If last month winter was on my mind (winter projects, wintering, snow), the month of February has me noticing the harbingers of spring (daffodil buds, the morning bird chorus, the emergence of Pacific banana slugs), even if the temperatures are still on the chilly side.

Work: I spent ten days with my husband in Mexico earlier this month and made the decision to not bring my computer, or work on my manuscript, even though the writing and revising were going well, even though a part of me would have been happy to stay home and keep working. I wanted to be more present on this trip, and avoid being distracted by “I could be writing!” Of course I brought a notebook and jotted journal-type entries: what we did—snorkeling and kayaking, the creatures we saw—pufferfish and pelicans, the few Spanish words I was learning—cielo azul and lo siento.

I did read a book, Priscilla Long’s Dancing with the Muse in Old Age and pondered, in my notebook, the questions at the end of each chapter. I turned 59 this month and it was helpful to read of creatives in their 70s, 80s, and 90s still doing their art, however that art had, or hadn’t, changed in the winter of their lives.

Continue reading

JANUARY, A MONTH TOO SHORT AND TOO LONG

January bears the burden of high expectations: A New Year! Resolutions! Winter projects! If last month I was tired, this month, the winter holidays behind me now, I felt ready to be productive—I will get so much done this month! And yet this month has flown by—is it really the 24th already?—and I have not gotten so much done. The too-long part of January isn’t an abundance of time for projects, but the endless dark and cold days. In Bellingham, we experienced negative temperatures for the first time in the twenty-six years we have lived here. I’m not a fan. Though comparatively it was interesting to experience twenty-three degrees as a comfortable temperature.

Work: In 2022, I set a goal to have my Armenian family manuscript completed and of publishable quality by my sixtieth birthday in February 2025. That goal felt reasonable and doable then. I set many intermediate goals. I moved those goalposts a few times. I have made progress but not as much as I’d hoped. Hence the high expectations for this January. And now I’m here, with only thirteen months left until I turn sixty. I’m not moving the goalposts this time, but I have altered the goal: a complete draft of decent quality, probably not ready for publication but ready for an editor, a fresh set of discerning eyes. To that end, I hope January, and February, continue to provide the perfect weather—dark, damp, and cold—to stay inside and write.

Do you set short- and long-term goals for your various projects? Any tips for helping to meet those goals? How do you feel about moving the goalposts or altering the goal itself?

Continue reading

Windows, All The Way Around

September brought two local end-of-summer camping trips and while my writing work continued albeit at a much slower pace and there was much to wonder, this blog is all about what was outside the windows of the trailer, plus a welcome-home view.

Kayak Point: A new campground for us in a forest on a bluff overlooking the Salish Sea. Just down the road from the campground is a disc golf resort and we had two days of throwing fun. I highly recommend the putting course for all levels of disc golfers. Besides being free, the par-two course has water features which add ambience and an occasional disc bath. Back at camp, we hiked a short steep trail down to the beach, where the salmon were jumping, continuously. I laughed at the joyous sight of the frolicking fish, while a local fisherman lamented that he’d have better luck shoving an empty boat out amid all that jumping than he was having fishing from shore. I attributed the salmon jumping to all their energy surging them toward their spawning grounds, perhaps in the nearby Stillaguamish River. A quick internet search added two additional reasons. According to Tlingit culture, the jumping is to better see their surroundings, a geographical orientation. The jumping may also be to dislodge sea lice. Great, now I know that such a creature as sea lice exists.

Forest View

Water View

Continue reading

Work, Wonder, and Windows

Welcome to my blog. First time here? Check out May’s blog for info on my intentions for this space.

Work: Last October while reading Judith Kitchen’s The Circus Train, a novella-length essay in fragments about, to name a few, mortality, Samuel Beckett, and memory, I came across this line: “I like the phrase ‘time on your hands’ when you can actively hold it and feel its weight.” In that moment I was transported back thirty years to an experience that altered my perception of time. I grabbed a pen and a notebook, and wrote the first draft of “Twenty Seconds,” an essay out in the current issue of Two Hawks Quarterly.

What does the phrase “time on your hands” make you think about?

Continue reading

Work, Wonder, and Windows

June 2023

Welcome to my blog. First time here? Check out last month’s blog for info on my intentions for this space.

Work: I’ve started on the next draft of my book, my untitled Armenian family memoir. The last draft I refused to begin with page one—I was sick of page one. I was sick of the beginning that might not even be the beginning, in the end. I picked a pivotal section on page 43 and sailed forth from there. Last week I landed on page 191 with new insights for global revisions, my main goal for that draft. I’ve returned to the beginning, and those new insights are helping me see what belongs here and what decidedly does not, and the fate of the rest of the beginning is uncertain at this point. As a person, I prefer the familiar, the known, the certain. As a writer, I’ve found the only way forward, for me, is to make peace with losing sight of the shore and trust that new lands will appear, eventually, on the horizon.

A helpful resource to take along on the drafting journey: Seven Drafts by Allison K Williams.

How do you tackle your drafts? Always from the beginning? Or do you jump around?

Continue reading

Work, Wonder, and Windows

May 2023

One of my motivations to write is connecting with others, and that connection can’t begin until the work goes out into the world. As I am currently writing a book, it’s a long slog before that engagement can begin. So I’ve decided to reboot, revive, and recommit to my blog.

This blog will be loosely organized in three categories: Work, Wonder, and Windows. What I am up to with my writing; wonderings inspired by books, podcasts, articles, essays, anything really; and what I’m seeing out my window on my borrowed piece of the planet between the Salish Sea and the Cascade Mountains.

Work: I’m expanding my MFA creative nonfiction thesis into a book-length work about my relationships with my Armenian grandmother and her two sisters, and the silence surrounding their life in Turkey and how they survived the Armenian Genocide. I’ve published two essays related to this work: “Geraniums” at Complete Sentence and “Tante Silvia’s Flinch Cards” at The Keepthings.

Continue reading

SHOTPOUCH

A wash of pink spreads across the lavender sky. The apple orchard grays into view. Soon Shotpouch Creek will surface, rippled in white. But first something new: bits of darkness darting through the air. It’s too early for the robins that will dot the meadow feeling out worms or the kinglets that will flitter in the willows along the creek. The winged darkness flies at the floor-to-ceiling windows and disappears soundlessly. Bats. A dozen visible and then poof—gone. One flies toward me and then melts away. Another scrabbles against the glass for half a second before slipping under the flashing over the sliding glass door. They pour through the dim morning light and secure themselves for sleep.

Continue reading

© 2024 Laura Rink

Theme by Anders NorenUp ↑