Writer

Category: Nature

APRIL, A MONTH WITH TWO ANNIVERSARIES

April showers bring May flowers, so the saying goes. In other words, endure April for the reward of May. Yet April offers its own bounty: cherry blossoms, swaths of tulips, and the unfurling of maple leaves, to name a few. April also brings those showers, tree pollen, and temperatures often more like winter than spring. April is an energetic month.

Work: I’m drawn to quotes that reframe the challenges of writing and alter my mindset in an expansive and helpful way. For example, here is a recent newsletter quote from James Clear, author of Atomic Habits:

“If you feel resistance before you begin, it’s usually procrastination and you need to get started.

If you feel resistance after you begin, it’s usually feedback and you need to make adjustments.”

These days I do sit down and get started, because I’m eager to write this book about my Armenian family, to watch the shape emerge, morph, fall flat, and rise again. But it’s taken me a while to implement the second part of the quote. I’ll stare at paragraphs that aren’t working, as if time alone will somehow solve the problem. I’ll make line level edits as if tiny alterations can fix larger issues. (Sometimes they can.) But now I’ve realized a larger adjustment is often what is needed.

Sometimes that adjustment is relocation: the scene or section belongs somewhere else in the book. I move it out of the way and the narrative flows again. Sometimes that adjustment is reordering within a section—printing out and cutting that section into paragraphs can help with the reordering. Sometimes that adjustment is a scene compressed into summary or a summary expanded into a scene. Sometimes that adjustment is acknowledging that this particular material doesn’t belong in the book at all.

If you want to understand, and gain strategies to overcome, the role of resistance in your life, I recommend Steven Pressfield’s The War of Art, a book from which I could pull dozens of expansive and helpful quotes. A book that belongs in every creative person’s library. And we are all creative people.

Do you have a favorite quote that inspires you or reframes an idea or experience?

Wonder: April 24th is Armenian Genocide Remembrance Day and also my parents’ wedding anniversary. I wonder at their concurrency.

On April 24, 1915, Ottoman authorities arrested 250 Armenian intellectuals and thus began the genocide of 1.5 million Armenians, a genocide that also took the lives of Assyrians, Greeks, and Jews. It wasn’t until 1988 that Armenia, then a republic of the Soviet Union, designated April 24 as a public day of commemoration. The California State Assembly, in 1997, declared April 24 as a Day of Remembrance for the Armenian Genocide of 1915-1923.

On April 24, 1964, my parents married, picking that date because it fell on a Friday. They married in Las Vegas surrounded by family and friends, and returned to work on Monday.

Really there’s not much here to wonder about. These two anniversaries share a day because coincidences happen. I hadn’t made the connection until recently because the Armenian Genocide wasn’t talked about in my family. We didn’t commemorate the tragic event that my paternal grandmother and her two sisters survived.

This April, my sisters and I, and our families, gathered at my parents’ home to celebrate their 60thwedding anniversary, to celebrate love and family. My parents are together, still here, and Armenians are still here, despite the genocide set in motion on April 24th.

 

Windows: Two trees in bloom: cherry and dogwood.

FEBRUARY, A MONTH OF HARBINGERS

If last month winter was on my mind (winter projects, wintering, snow), the month of February has me noticing the harbingers of spring (daffodil buds, the morning bird chorus, the emergence of Pacific banana slugs), even if the temperatures are still on the chilly side.

Work: I spent ten days with my husband in Mexico earlier this month and made the decision to not bring my computer, or work on my manuscript, even though the writing and revising were going well, even though a part of me would have been happy to stay home and keep working. I wanted to be more present on this trip, and avoid being distracted by “I could be writing!” Of course I brought a notebook and jotted journal-type entries: what we did—snorkeling and kayaking, the creatures we saw—pufferfish and pelicans, the few Spanish words I was learning—cielo azul and lo siento.

I did read a book, Priscilla Long’s Dancing with the Muse in Old Age and pondered, in my notebook, the questions at the end of each chapter. I turned 59 this month and it was helpful to read of creatives in their 70s, 80s, and 90s still doing their art, however that art had, or hadn’t, changed in the winter of their lives.

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JANUARY, A MONTH TOO SHORT AND TOO LONG

January bears the burden of high expectations: A New Year! Resolutions! Winter projects! If last month I was tired, this month, the winter holidays behind me now, I felt ready to be productive—I will get so much done this month! And yet this month has flown by—is it really the 24th already?—and I have not gotten so much done. The too-long part of January isn’t an abundance of time for projects, but the endless dark and cold days. In Bellingham, we experienced negative temperatures for the first time in the twenty-six years we have lived here. I’m not a fan. Though comparatively it was interesting to experience twenty-three degrees as a comfortable temperature.

Work: In 2022, I set a goal to have my Armenian family manuscript completed and of publishable quality by my sixtieth birthday in February 2025. That goal felt reasonable and doable then. I set many intermediate goals. I moved those goalposts a few times. I have made progress but not as much as I’d hoped. Hence the high expectations for this January. And now I’m here, with only thirteen months left until I turn sixty. I’m not moving the goalposts this time, but I have altered the goal: a complete draft of decent quality, probably not ready for publication but ready for an editor, a fresh set of discerning eyes. To that end, I hope January, and February, continue to provide the perfect weather—dark, damp, and cold—to stay inside and write.

Do you set short- and long-term goals for your various projects? Any tips for helping to meet those goals? How do you feel about moving the goalposts or altering the goal itself?

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Windows, All The Way Around

September brought two local end-of-summer camping trips and while my writing work continued albeit at a much slower pace and there was much to wonder, this blog is all about what was outside the windows of the trailer, plus a welcome-home view.

Kayak Point: A new campground for us in a forest on a bluff overlooking the Salish Sea. Just down the road from the campground is a disc golf resort and we had two days of throwing fun. I highly recommend the putting course for all levels of disc golfers. Besides being free, the par-two course has water features which add ambience and an occasional disc bath. Back at camp, we hiked a short steep trail down to the beach, where the salmon were jumping, continuously. I laughed at the joyous sight of the frolicking fish, while a local fisherman lamented that he’d have better luck shoving an empty boat out amid all that jumping than he was having fishing from shore. I attributed the salmon jumping to all their energy surging them toward their spawning grounds, perhaps in the nearby Stillaguamish River. A quick internet search added two additional reasons. According to Tlingit culture, the jumping is to better see their surroundings, a geographical orientation. The jumping may also be to dislodge sea lice. Great, now I know that such a creature as sea lice exists.

Forest View

Water View

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Work, Wonder, and Windows

Welcome to my blog. First time here? Check out May’s blog for info on my intentions for this space.

Work: Last October while reading Judith Kitchen’s The Circus Train, a novella-length essay in fragments about, to name a few, mortality, Samuel Beckett, and memory, I came across this line: “I like the phrase ‘time on your hands’ when you can actively hold it and feel its weight.” In that moment I was transported back thirty years to an experience that altered my perception of time. I grabbed a pen and a notebook, and wrote the first draft of “Twenty Seconds,” an essay out in the current issue of Two Hawks Quarterly.

What does the phrase “time on your hands” make you think about?

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Work, Wonder, and Windows

June 2023

Welcome to my blog. First time here? Check out last month’s blog for info on my intentions for this space.

Work: I’ve started on the next draft of my book, my untitled Armenian family memoir. The last draft I refused to begin with page one—I was sick of page one. I was sick of the beginning that might not even be the beginning, in the end. I picked a pivotal section on page 43 and sailed forth from there. Last week I landed on page 191 with new insights for global revisions, my main goal for that draft. I’ve returned to the beginning, and those new insights are helping me see what belongs here and what decidedly does not, and the fate of the rest of the beginning is uncertain at this point. As a person, I prefer the familiar, the known, the certain. As a writer, I’ve found the only way forward, for me, is to make peace with losing sight of the shore and trust that new lands will appear, eventually, on the horizon.

A helpful resource to take along on the drafting journey: Seven Drafts by Allison K Williams.

How do you tackle your drafts? Always from the beginning? Or do you jump around?

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Work, Wonder, and Windows

May 2023

One of my motivations to write is connecting with others, and that connection can’t begin until the work goes out into the world. As I am currently writing a book, it’s a long slog before that engagement can begin. So I’ve decided to reboot, revive, and recommit to my blog.

This blog will be loosely organized in three categories: Work, Wonder, and Windows. What I am up to with my writing; wonderings inspired by books, podcasts, articles, essays, anything really; and what I’m seeing out my window on my borrowed piece of the planet between the Salish Sea and the Cascade Mountains.

Work: I’m expanding my MFA creative nonfiction thesis into a book-length work about my relationships with my Armenian grandmother and her two sisters, and the silence surrounding their life in Turkey and how they survived the Armenian Genocide. I’ve published two essays related to this work: “Geraniums” at Complete Sentence and “Tante Silvia’s Flinch Cards” at The Keepthings.

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SHOTPOUCH

A wash of pink spreads across the lavender sky. The apple orchard grays into view. Soon Shotpouch Creek will surface, rippled in white. But first something new: bits of darkness darting through the air. It’s too early for the robins that will dot the meadow feeling out worms or the kinglets that will flitter in the willows along the creek. The winged darkness flies at the floor-to-ceiling windows and disappears soundlessly. Bats. A dozen visible and then poof—gone. One flies toward me and then melts away. Another scrabbles against the glass for half a second before slipping under the flashing over the sliding glass door. They pour through the dim morning light and secure themselves for sleep.

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