Writer

Category: Memoir

Work, Wonder, and Windows

Work: Have you heard the term micro prose? I recently took a class from Darien Hsu Gee, a fellow Rainier Writing Workshop alum, in which she illuminated the benefits of writing micro prose: pieces of 300 words or less. She is passionate about this form, and offered much practical advice and inspiration. The writing process she outlined included writing a first draft in ten minutes and then revising in two ten-minute sessions. The short timeframes makes this a flexible and doable practice. For me, this form will be a way to get difficult material down on the page in short bursts. For more information on micro prose, and free prompts, visit Darien’s website Writer-ish.com.

Tech update: On my website, the “subscribe to blog via email” is now available on mobile devices. After the blog post, scroll past the comment section, and at the very bottom is a place to put in your email and subscribe to my blog. Please let me know if that is not the case. I’m pleased that I figured this out on my own, though not thrilled at the number of hours I spent on it when I just needed to add a widget, which was obvious in hindsight and took mere minutes.

Wonder: I continue to ponder form and structure. I listened to two audio books this month—Hijab Butch Blues by Lamya H and You Could Make This Place Beautiful by Maggie Smith. I highly recommend both just for the pleasure of reading/hearing them, and also as examples of different ways to structure a book.  In Hijab Butch Blues, Lamya H weaves, and interrogates, stories from the Quran with her own experiences, and moves nonlinearly from her childhood through adulthood and back again. In You Could Make This Place Beautiful, Maggie Smith writes in vignettes, many of them the length of micro prose. The pieces feel complete in themselves and contribute to the larger story.

Windows: Many of us can look out our windows and see the effects of climate change, the no longer slow havoc the gradual warming of the earth and its oceans are causing. Smoke from fires in Canada and eastern Washington have lingered in Bellingham a few times this summer, and most notably from the now not-so-unusual early fires in Canada in May. And now a fire closer to home on the east side of Lake Whatcom. When we moved here in 1998 from fire-prone southern California, we were happy to be informed that western Washington doesn’t have forest fires. Well, change comes for us all.

Looking north

Work, Wonder, and Windows

Welcome to my blog. First time here? Check out May’s blog for info on my intentions for this space.

Work: Last October while reading Judith Kitchen’s The Circus Train, a novella-length essay in fragments about, to name a few, mortality, Samuel Beckett, and memory, I came across this line: “I like the phrase ‘time on your hands’ when you can actively hold it and feel its weight.” In that moment I was transported back thirty years to an experience that altered my perception of time. I grabbed a pen and a notebook, and wrote the first draft of “Twenty Seconds,” an essay out in the current issue of Two Hawks Quarterly.

What does the phrase “time on your hands” make you think about?

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Work, Wonder, and Windows

June 2023

Welcome to my blog. First time here? Check out last month’s blog for info on my intentions for this space.

Work: I’ve started on the next draft of my book, my untitled Armenian family memoir. The last draft I refused to begin with page one—I was sick of page one. I was sick of the beginning that might not even be the beginning, in the end. I picked a pivotal section on page 43 and sailed forth from there. Last week I landed on page 191 with new insights for global revisions, my main goal for that draft. I’ve returned to the beginning, and those new insights are helping me see what belongs here and what decidedly does not, and the fate of the rest of the beginning is uncertain at this point. As a person, I prefer the familiar, the known, the certain. As a writer, I’ve found the only way forward, for me, is to make peace with losing sight of the shore and trust that new lands will appear, eventually, on the horizon.

A helpful resource to take along on the drafting journey: Seven Drafts by Allison K Williams.

How do you tackle your drafts? Always from the beginning? Or do you jump around?

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Work, Wonder, and Windows

May 2023

One of my motivations to write is connecting with others, and that connection can’t begin until the work goes out into the world. As I am currently writing a book, it’s a long slog before that engagement can begin. So I’ve decided to reboot, revive, and recommit to my blog.

This blog will be loosely organized in three categories: Work, Wonder, and Windows. What I am up to with my writing; wonderings inspired by books, podcasts, articles, essays, anything really; and what I’m seeing out my window on my borrowed piece of the planet between the Salish Sea and the Cascade Mountains.

Work: I’m expanding my MFA creative nonfiction thesis into a book-length work about my relationships with my Armenian grandmother and her two sisters, and the silence surrounding their life in Turkey and how they survived the Armenian Genocide. I’ve published two essays related to this work: “Geraniums” at Complete Sentence and “Tante Silvia’s Flinch Cards” at The Keepthings.

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REMEMBER YOUR TRAINING

When, not if, you get tossed out of your boat in a rapid on a river, don’t panic. Hang onto the boat if you can, and with or without the boat, assume the floating lounge chair position: feet up, knees bent, and head back. Ride out the rapid and then, in calmer water, make your way over to the river’s edge.

I know this advice—my extended family has been rafting the Rogue River in inflatable kayaks for almost forty years. I email this advice as a safety reminder every two years in July right before the family gathers at Indian Mary Campground in Southern Oregon for seven days of game-playing, socializing, and floating down the river. I don’t know whether anyone reads my email but my be-prepared mentality compels me to send it.

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I WRITE MEMOIR, PART I

In the third grade, I read The Little House in the Big Woods series of books. You could write about your own life—what a revelation! I wanted to do that. But also, a disappointment—my life wasn’t as interesting as Laura Ingalls Wilder’s. Mine was a normal life. Two parents and two sisters, a house on a cul-de-sac, school a half-mile walk away.

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SPEEDY

The vet assures me our cat’s ill health is not my fault. Speedy, our thirteen-year-old tiger tabby, has lost over three pounds, has a urinary tract infection, bleeding gums, and failing kidneys. Cats are stoic, the vet continues, by the time you realize they are ill, they are at death’s door. Speedy is dying, and I’m pretty sure it is my fault.

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A CHRISTMAS PAST

What sticks in a child’s mind and survives into adulthood? What joy? What fear? What anger?

Forty-five years ago, my mom’s extended family rented a large cabin in Big Bear for Christmas. There must have been at least twenty of us, pretty chaotic. It was the first Christmas in seventeen years that it didn’t snow there, a fact that has nothing to do with this story, but it is noteworthy, it is mentioned every time this story is told, it is part of the family folklore—the year it didn’t snow.

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